for sound, crossing, mobility, eXchange, for doubt & uncertainty, bird cries, duende, multiplicity, former, eXcess, Xcountry
9.08.2009
Being Human--Said & Stevens
My fabulous Language & Thinking Class at Bard in August produced this performance by combining language from Edward Said's "Movement & Migrations" from Culture and Imperialism and Wallace Stevens's poem "The Snow Man," (which is quoted by Said along with other poetry including Gerard Manley Hopkins' "Pied Beauty," particularly the line " All things counter original, spare, strange") inter-cut with language from the question that shaped the Language & Thinking program this summer: "What does it mean to be human in the year 2009 on an abundant and fragile planet, with memory and possibility, with people like ourselves and different, with affluence and squalor, hope and despair, with mountains and rivers and trees, with herons and cyborgs, music and noise, with art and TV and infinite space?"
The whole class performed this for the last student reading. Each line was said by a different student and all said the final line together. The piece was put together by John Wood, Molly Ostertag and Sarah Coolidge. Here is their script:
Sarah plays a short tune on her toy trumpet.
Charlie plays a tune on the guitar throughout the piece.
At some point, people begin vocalizing:
What does it mean to be human in the year 2009
One must have a mind of winter
It must surely be the decade of mass uprisings outside the Western Metropolis
To regard the frost and the boughs
Think not about what should be read but how it should be read
On an abundant and fragile planet, with memory and possibility
Of the pine trees crusted with snow
There was a carnivalesque aspect to the milling crowds in Gaza.
With people like ourselves and different
And have been cold a long time
A rebellious people paying a very heavy price for their resistance
To behold the junipers shagged with ice
Amplified and disseminated by a perfect media system
With affluence and squalor, hope and despair
The spruces rough in the distant glitter
Provoke administered violence and rapid xenophobia
Of the January sun; and not to think
Is not aggressive but transgressive
Of any misery in the sound of the wind
With mountains and rivers and trees
A search for fresh concepts not yet encompassed by the general pattern
In the sound of a few leaves
Insisting on their separation and distinctiveness
With herons and cyborgs
Which is the sound of the land
Music and urban noise
{Sarah plays ambulance noise on toy trumpet}
Religious fervor seems almost and always too obscure notions of the sacred or divine
Full of the same wind
Obedient service against the empire of evil
That is blowing in the same bare place
The negative advantage of refuge in the émigrés eccentricity
For the listener, who listens in the snow
With art and TV
Commandeered the media to help carry out the operation
and nothing himself beholds
A real alternative to the authority of the state
Nothing that is not there
And infinite space
Nothing that is
What does it mean to be human?
(special thanks to John for salvaging this and sending it to me for posting here.)
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